John Wood and Paul Harrison Research

John Wood and Paul Harrison ( artists from Bristol) are best known for screen-based works that often involve the manipulation of familiar objects, giving rise to a wide range of imaginative associations. model horses jumping a barrier reminiscent of Muybridge’s explorations of movement in film. The sense of humour is characteristic, signifying an optimistic proposition that informs the artists’ work overall.  The situations they invent may seem absurd at first glance, but always they embody an attempt to make sense of the world.

Night and Day (2008) is arguably their most ambitious piece to date. As the title suggests, light and dark play signifcant roles within individual events, as if they were protagonists moving from one scene to another. Consecutive exchanges with everyday things, some play with illusion and the transformation of space, some suggest a fragmentary narrative, while others imply a wryly comic touch.

Much of the work here, newly commissioned, indicates a change in direction for Wood and Harrison. Although they have frequently produced drawings as a way of developing ideas, these methods have remained in the studio rather
than appearing in the gallery space. Works now acknowledge the pivotal role played by drawing and diagrammatic models. Pieces such as Transition(clockwise) and Transition (squares) (2009) are permanent marker on paper and clearly handmade; lines visibly filling in areas of black tone. Hung vertically on a wall, we are inclined to read them as a film strip, in turn suggesting graphic devices used within opening credit sequences for film and television.

Francis Bacon research

Francis Bacon between 1972 and 1974. Bacon admitted that they were created as an exorcism of his sense of loss following the 1972 suicide of his former lover and principal model, George Dyer. Two days before the opening of Bacon's triumphant and career-making retrospective at the Grand Palais, Dyer, then 37, alcoholic, deeply insecure and suffering severe and long-term depression, killed himself with an overdose of drink and barbiturates in a room at the Paris hotel Bacon had allowed him to share during a brief period of reconciliation following years of bitter recrimination.

 This awareness was heightened by the death of many other close friends during the following decade. The most acute paintings after the loss of his friends are considered to be the many posthumous images of Dyer, including numerous heads and the three "Black triptychs", each painted within three years of 1972.

Each triptych shows views from moments before, during and after Dyer's death. 

Francis Bacon Experiments

I used Patrick as a model and got him to move around in front of a 5 second shutter speed setting

Triptych

I got given a picture of a hand on a roof and I recreated it by putting a mannequins hand on a mirror made out of stag antlers. Then I turned the picture into a triptych using photoshop.